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Post by pandamonk on Jan 15, 2018 16:08:35 GMT
For isolation of the concrete floor from room to room, you might consider cutting the concrete. Rod Gervais shows using compressed mineral wool to isolate the floor plate 2x4 from the floor. You have built a studio before so you know what kind of sound you like/want so hey, it's your room, go for it. As far as your inside frame goes, you know the thicker your frame and insulation is, the lower the frequency your open walls will be effective. It'll be great to see your final plans. The rear portion of the concrete is yet to be poured so I could install something to separate the two rooms. I'd need to dig out my Rod Gervais book and re-read it, it's been too long. |
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Post by pandamonk on Jan 15, 2018 16:11:59 GMT
There's a well-known engineer who is famous for reamping. He has two separate structures with a separated concrete foundation, as rock alludes to, and he is happy with it. You know in your heart what is right for you. But, in the spirit of controversy, Sylvia Massey is a proponent of an "open air" facility where the control and live room are one. The larger your room, the more flexibility you get in terms of ambience vs. absorption; not to mention potential connection with the artist and easy of physical maneuverability. Given that you have space constraints, I'd consider some of the mentioned proposals. Thanks. Thank you for the suggestion. I have tried recording "open air" and it didn't really suit me. I can definitely see the benefits and have recommended it for others, but for me multi-room suits the way I work. |
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Post by Hexspa on Jan 15, 2018 18:36:18 GMT
There's a well-known engineer who is famous for reamping. He has two separate structures with a separated concrete foundation, as rock alludes to, and he is happy with it. You know in your heart what is right for you. But, in the spirit of controversy, Sylvia Massey is a proponent of an "open air" facility where the control and live room are one. The larger your room, the more flexibility you get in terms of ambience vs. absorption; not to mention potential connection with the artist and easy of physical maneuverability. Given that you have space constraints, I'd consider some of the mentioned proposals. Thanks. Thank you for the suggestion. I have tried recording "open air" and it didn't really suit me. I can definitely see the benefits and have recommended it for others, but for me multi-room suits the way I work. Right on. I hope we've been of help and that your room turns out great. |
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