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Post by Ethan Winer on Aug 11, 2016 21:31:07 GMT
^^^ I have no idea how to answer that question.
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Post by Hexspa on Aug 12, 2016 12:53:52 GMT
^^^ I have no idea how to answer that question. have a go
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Post by Hexspa on Aug 12, 2016 13:01:09 GMT
I'm having problems mixing trap music becomes of the loud 808 bass drum . Is the a batter way to mix, this type of music. Trap doesn't have a loud 808. Nothing is loud if everything is loud. Dig? You have to make space. Listen to this "Red Lips" remix (first track) www.youtube.com/watch?v=umvjPOWpTDgYou hear how much space they're giving that 808? They're giving temporal and vertical space. Meaning, they're letting it ring out and not putting a bunch of bass stuff over it. It's: AMBIENCE/CHORDS-------------------------------- STRING MELODY STRING MELODY KICK KICK 800000008 800000000000008See? The 808 isn't as loud as the kick - plus guys use saturation to make it more buzzy so you can hear it better without turning it up loud; maybe layering. -m
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Post by audio97 on Aug 19, 2016 12:48:32 GMT
Thanx
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Post by audio97 on Nov 6, 2016 21:20:49 GMT
What is the difference between the MOSFET and transistor
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Post by Hexspa on Nov 6, 2016 22:04:16 GMT
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Post by audioindex on Apr 3, 2017 17:23:13 GMT
please kindly assist me.
I'm having a lots of problems with regards to the applying good reverb settings to a vocal lead and backings.
I've tried to use some of the presets, but they sound really bad.
The two main genres which I'm trying to mixing is hip hop and gospel.
I've type in the template below the only thing that is let is to fill in the numbers
My Reverb has the following parameters.
Gospel Lead Vocal
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
Gospel Backing vocals
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
Hip hop lead vocal
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
Hip hop backing
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
Other vocal settings if you have please
Lead Vocal
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
Blacking vocals
Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet
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Post by Hexspa on Apr 4, 2017 6:24:47 GMT
please kindly assist me. I'm having a lots of problems with regards to the applying good reverb settings to a vocal lead and backings. I've tried to use some of the presets, but they sound really bad. The two main genres which I'm trying to mixing is hip hop and gospel. I've type in the template below the only thing that is let is to fill in the numbers My Reverb has the following parameters. Gospel Lead Vocal Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Gospel Backing vocals Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Hip hop lead vocal Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Hip hop backing Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Other vocal settings if you have please Lead Vocal Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Blacking vocals Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet Blacking vocals? You want someone to fill in your template with values? We don't know what plugin you're using. We've never heard the track. I advise you, or anyone having trouble with verb, try it on a few instruments in isolation to get a feel for the various types. After that you can try modifying parameters or applying additional processing like EQ, dynamics or time-based effects. Something else to consider is that spatial effects like reverbs and delays can be hardest to hear when your room isn't well-treated - particularly at the RFZ. -m
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Post by Ethan Winer on Apr 4, 2017 21:16:06 GMT
My Reverb has the following parameters. When I suggested that you post here the other day, I said you should tell us which DAW software and plug-ins you're using. Without that it's difficult to be very specific. But surely your plug-ins have Help files that explain each parameter? If you can't get any preset to sound good with any source, then maybe something else is going on. I'll also suggest my Audio Expert book because it has a detailed section that explains all about these parameters, and includes example files showing the difference between lousy reverb plug-ins and good ones. I don't usually use this forum to push my book, but in your case I'm certain you'll benefit greatly from all the information it contains: Ethan's Audio Book
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Post by arnyk on Apr 5, 2017 15:56:56 GMT
please kindly assist me. I'm having a lots of problems with regards to the applying good reverb settings to a vocal lead and backings. I've tried to use some of the presets, but they sound really bad. The two main genres which I'm trying to mixing is hip hop and gospel. I've type in the template below the only thing that is let is to fill in the numbers My Reverb has the following parameters. Gospel Lead Vocal Pre-delay Decay Room size Damping High cut Low cut Diffusion Damping Dry Wet My approach to recording has been dominated by live recording. Therefore, when I used reverb, I always tuned the parameters to resemble what I know about the physical layout and configuration of rooms that I liked to record in. I put in the hard numbers for dimensions and then varied the rest to get something that sounded like what I obtained with what I though were good sounding live recordings.
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Post by audioindex on Apr 6, 2017 15:14:18 GMT
The first plugin was fruty reverb 2 Daw flstudio. The send daw is reareverb reaper 5.0
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Post by Hexspa on Apr 6, 2017 15:45:40 GMT
The first plugin was fruty reverb 2 Daw flstudio. The send daw is reareverb reaper 5.0 Read the manual. Practice. Research online. If after that you're still baffled then post an audio clip. -m
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Post by audioindex on Apr 7, 2017 6:26:50 GMT
OK thanks you
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Post by arnyk on Apr 7, 2017 9:08:06 GMT
Now ise there a tgrue audible quality difference in the number of sample's whelohn recording. Because some of my friends believe that recording at 48k at 24 bits is batter then 41k at 24 bits. No! We've had that comparison to evaluate as long as we had 15 IPS analog tape masters to compare to 44 kHz digital. masters. This predates the CD by a number of years. I was part of a DBT of this done in one of the best studios in Detroit in the late 70' s. Some of the best studio engineers and musîcîans participated. They all ended up with. random gassing. Variations of this experiment have been repeatèd 100's of times since. Generally, same results.
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