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Post by spock999 on Nov 13, 2020 7:09:15 GMT
Hello, I already found my 1th reflection point using the mirror methode but how do you find or caculate the 2th and 3th reflections on side walls ?
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Deleted
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Post by Deleted on Nov 13, 2020 9:54:29 GMT
Do you have REW and a measurement microphone?
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Post by spock999 on Nov 13, 2020 20:05:56 GMT
Thanks for the Replay, Yes I have a Behringer ECM8000 but I get Driver reset every time I try to Calibrate my sound Card (UAD X8P) so the people at REW told me to skip that part and just do a reading and this is what I got so Far. Michel Doucet.mdat (1.59 MB)
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Post by Deleted on Nov 13, 2020 22:41:55 GMT
Can't open the .mdat file. Idk, says "its not in .mdat format". Maybe something to do with the file compression. But anyways, ETC and Filtered ETC shows you where the reflections are. Don't know how you've measured, since I couldn't open the file. But anyways: measure ONE speaker at a time, really precise position the mic. When measuring left speaker, put the mic where your left ear would be, same for right speaker. (mic there where the right ear would be).
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Post by rock on Nov 13, 2020 23:05:19 GMT
First off, I don't see your speakers in the plan. You might need to move them a bit during fine tuning but you do need a starting point. I can't remember a discussion on 2nd and 3rd reflections so I looked around and found this: www.acousticfields.com/control-room-reflections/If you just look at the diagrams, you'll see that the by covering a longer area on the wall between the speaker position and the listening position, you'll have all the possible points covered. If you want to figure it out geometrically, you can use a protractor and draw triangles where the angle of incidence equals the angle of reflection but that's really not necessary. It looks like if you had a panel 48" x 48" on the side walls that will cover the whole area in question. You already have a 24x48x6 so on that side, you can just add another one but make sure they are both wide band and not covered with foil, plastic or paper like bass traps. Same with the cloud. The cloud is a little on the small side. If you had 2, you could angle them in line with the speaker to listening position line. To help to balance out the door corner, is it possible to hang or mount a bass trap on the door? Going floor to ceiling with the wall mounted one is good too. Since your room is fairly close to a cube, you'll need more bass traps. Wall/ceiling corners are a good place to add them. Do you know about amroc? it's a room mode calculator. amcoustics.com/tools/amroc?l=13.16&w=12&h=7.75&ft=true&r60=0.6 You can see how your REW graph correlates with the modes in amroc. This can help you determine what modes are where but bottomline is you need more bass traps to smooth them out. Playing with speaker and listening position can hep too.
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Post by spock999 on Nov 13, 2020 23:10:48 GMT
Hello, I don`t understand I just open the fils directly from my post on this site and it work with no problem in REW, anyway I expert it as a txt I already know the 1th refection I was wondering where to put the pad for the 2th and 3th reflection and If It was needed I`m ok with install all the pad, ceiling cloud and Bass trap that is needed but I don`t wanna kill my room and all this stuff about T60 is giving me a headache REW.txt (1.98 MB) Thanks again for your time
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Post by rock on Nov 14, 2020 6:05:01 GMT
Hey Pasim, I could not open the files but when I tried, I got a message to up-date REW to the current version and after installing new version it worked fine.
Spock, as I tried to tell you before, just make your your RFZ absorber "pads" larger to cover an area to include 2nd and 3rd reflections. That will then treat the 2nd and 3rd reflections too.
What is your problem with RT60?
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Post by rock on Nov 14, 2020 14:53:48 GMT
Oh, you're concerned adding lots of bass traps will deaden your room too much.
First, your corner bass traps and any other traps not in the RFZ should be made with foil, paper or plastic on the front (facing into the room). This enhances LF performance while reducing Mid/Hi absorption.
Second, it's a trade-off: either you have a deader, flatter bass response, less modal ringing room or a more lively boxy sounding room, your choice.
I notice your diffusors are on the sides of the rear wall. Did you try them directly behind you? They might be more effective there but you'd have to try it and see. About the rear wall, it's also a good wall to be bass trapped if you need it. You could fill in between the corners and the center if the diffusors work better in the center.
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Post by rock on Nov 15, 2020 20:15:25 GMT
Even though I wrote earlier that drawing out the reflections was not necessary, I went and did it anyway. For the primary, I actually used a protractor and tried to be accurate but for the 2 and 3 I just eyeballed it. If I had done it accurately, a line perpendicular to the wall from the reflection point would bisect the angle (in half), that's what sound, light and billiard balls do. ("The angle of incidence equals the angle of reflection.") So now you see that in general, if you want to "catch" all those reflections, treating the side walls between the speaker and the listening position will pretty much do the trick. So do you need to "catch" the 2nd and 3rd reflections? Well they are less prominent so maybe not so much BUT remember, sound is not like a laser beam and more like a cone. So even to treat for only 1st reflections requires more than a single point and more of an area, so by expanding that area not only helps for 1st reflections but for 2 and 3, and so on. Attachments:spock999 reflections.pdf (461.98 KB)
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Post by spock999 on Nov 20, 2020 18:33:24 GMT
Big thanks to both of you You gave me a lot of useful and interesting information Is this what you are talking about to put on top of my corner bass trap ? I was wondering where I can find the pattern they use or if it`s just random !
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